Introduction Eduardo Navas, Owen Gallagher, xtine burrough
Part I: History
1. Remix and the Dialogic Engine of Culture: A Model for Generative Combinatoriality Martin Irvine
2. A Rhetoric of Remix Scott H. Church
3. Good Artists Copy; Great Artists Steal: Reflections on Cut-Copy-Paste Culture Stefan Sonvilla-Weiss
4. Toward a Remix Culture: An Existential Perspective Vito Campanelli
5. An Oral History of Sampling: From Turntables to MashupsKembrew McLeod
6. Can I Borrow Your Proper Name? Remixing Signatures and the Contemporary Author Cicero da Silva
7. The Extended Remix: Rhetoric and history Margie Borschke
8. Culture and Remix: A Theory on Cultural Sublation Eduardo Navas
Part II: Aesthetics
9. Remix Strategies in Social Media Lev Manovich
10. Remixing Movies and Trailers Before and After the Digital Age Nicola Maria Dusi
11. Remixing the Plague of Images: Video Art from Latin America in a Transnational Context Erandy Vergara
12. Race & Remix: The Aesthetics of Race in the Visual & Performing Arts Tashima Thomas
13. Digital Poetics and Remix Culture: From the Artisanal Image to the Immaterial Image Monica Tavares
14. The End of an Aura: Nostalgia, Memory, and the Haunting of Hip-hop Roy Christopher
15. Appropriation is Activism Byron Russell
Part III: Ethics
16. The Emerging Ethics of Networked Culture Aram Sinnreich
17. The Panopticon of Ethical Video Remix Practice Mette Birk
18. Cutting Scholarship Together/Apart: Rethinking the Political-Economy of Scholarly Book Publishing Janneke Adema
19. Copyright and Fair Use in Remix: From Alarmism to Action Patricia Aufderheide
20. I Thought I Made A Vid, But Then You Told Me That I Didn’t: Aesthetics and Boundary Work in the Fan Vidding Community Katharina Freund
21. Peeling The Layers of the Onion: Authorship in Mashup and Remix Cultures John Logie
22. remixthecontext (a theoretical fiction) Mark Amerika
Part IV: Politics
23. A Capital Remix Rachel O’Dwyer
24. Remix Practices and Activism: A Semiotic Analysis of Creative Dissent Paolo Peverini
25. Political Remix Video as a Vernacular Discourse Olivia Conti
26. Locative Media as Remix Conor McGarrigle
27. The Politics of John Lennon’s “Imagine”: Contextualizing the Roles of Mashups and New Media in Political Protest J. Meryl Krieger
28. Détournement as a Premise of the Remix from Political, Aesthetic, and Technical Perspectives Nadine Wanono
29. The New Polymath (Remixing Knowledge) Rachel Falconer
Part V: Practice
30. Crises of Meaning in Communities of Creative Appropriation: A Case Study of the 2010 RE/Mixed Media Festival Tom Tenney
31. Of “REAPPROPRIATIONS”Gustavo Romano
32. Aesthetics of Remix: Networked Interactive Objects and Interface Design Jonah Brucker-Cohen
33. Reflections on the Amen Break: A Continued History, an Unsettled Ethics Nate Harrison
34. Going Crazy with Remix: A Classroom Study by Practice via Lenz v. Universal xtine burrough and Dr. Emily Erickson
35. A Remix Artist and AdvocateDesiree D’Alessandro
36. Occupy / Band Aid Mashup: “Do They Know It’s Christmas?”Owen Gallagher
37. Remixing the Remix Elisa Kreisinger
38. A Fair(y) Use Tale Eric Faden
39. An Aesthetics of Deception in Political Remix Video Diran Lyons
40. Radical Remix: Manifestoon Jesse Drew
41. In Two Minds Kevin Atherton
